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Washington,
DC – September 2023 / NewsmakerAlert: Historic
Hotels of America® is pleased to announce its selections for The
2023 Top 25 Historic Hotels of America® Most Magnificent Art Collections
List. A program of the National
Trust for Historic Preservation®, Historic Hotels of America is
a collection of authentic historic hotels known for their stunning architecture,
colorful gardens, and romantic settings—amenities that are often enhanced
with historic, museum-quality art collections. Historic hotels across the
United States offer guests the opportunity to experience and enjoy a variety
of artwork, including furniture, paintings, sculpture, augmented reality,
fountains and more. Many historic hotels inducted into Historic Hotels
of America were founded by art collectors, such as the Palmer House®,
A Hilton Hotel and the JW Marriott Savannah Plant Riverside District. Others
in the program are managed in part by art museum professionals, such as
staff at the historic 21c Museum Hotels in St.
Louis, Louisville,
Durham,
Kansas
City, Cincinnati,
Lexington,
and Chicago.
The flagship 21c Museum Hotel in Louisville, Kentucky, was selected for
this list, but all historic 21c Museum Hotels are multi-venue contemporary
art museums, coupled with boutique hotels, which present over twenty exhibitions
each year for communities and guests to enjoy. The list below highlights
a variety of Historic Hotels of America members that are truly museums
where you can stay the night.
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The
Omni Homestead Resort (1766)
Hot
Springs, Virginia
The
art collection at The Omni Homestead Resort in Hot Springs, Virginia, includes
approximately 138 pieces of original art. Most notable is its John James
Audubon collection: eighteen first-edition art prints, published in The
Birds of America in London between 1827 and 1838, and displayed today in
the main dining room. These pieces are engraved with aquatint and hand-colored
on wove paper by R. Havell, set within a French mat under UV-protected
glass. A wide variety of bird species are depicted in various forms and
actions. The Ingalls family, who owned and developed the resort between
the late 19th and early 21st centuries, acquired the collection for The
Homestead in the early 1900s. In addition to the Audubon collection, the
Resort displays original artwork by artists including oil paintings of
the Old Course by Andras Bality; 20 pieces from W.H. Lee Baskerville, whose
painting of the Jefferson Pools can be found in the hotel lobby; 23 realist-style
portraits from Paul Bertholet, depicting the Presidents who visited the
hotel between 1789 and 2009; and four works by plein-air artist Ed Hatch,
whose work depicts Virginia’s countryside and can be viewed within the
Warm Springs Pools Gallery. The Omni Homestead Resort is a charter member
of Historic Hotels of America, inducted in 1989, and it was designated
a National Historic Landmark by the U.S. Secretary of the Interior.
21c
Museum Hotel Louisville (1800)
Louisville,
Kentucky
The
21c Museum Hotel Louisville in Louisville, Kentucky, was the first of the
21c Museum Hotels, founded in 2006 by contemporary art collectors Laura
Lee Brown and Steve Wilson. They began collecting at the turn of the 21st
century and founded the 21c Museum Hotel Louisville with the goal of making
contemporary art a part of more people’s daily lives. The hotel is comprised
of five formerly abandoned 19th-century warehouses located in the heart
of Louisville’s West Main Street Historic District. With the buildings
restored and renovated, they were converted into the 21c Museum Hotel Louisville,
which was inducted into Historic Hotels of America in 2019. Visitors, tourists,
and the public, as well as hotel and restaurant guests, are greeted by
multiple artworks outside of 21c Museum Hotel Louisville before entering
to explore the art within the building. Serkan Özkaya’s 30-foot-tall
David (inspired by Michelangelo) can be seen from blocks away as guests
approach the historic hotel. This oversized golden replica of Michelangelo’s
David has become a popular Main Street landmark since it was installed
in 2011. Another frequently photographed work at the 21c Museum Hotel Louisville
is the art car Arillated: The 21c Pip Mobile that is parked outside
the main entrance. Louisville artist Monica Mahoney bejeweled a 1996 Lincoln
Town Car with thousands of red glass gems to resemble the interior of a
pomegranate. Visitors are welcome to enjoy the art at 21c Museum Hotels
24 hours a day, 365 days per year, and can contact the hotel concierge
to learn about docent tours.
The
DeSoto (1834)
Savannah,
Georgia
The
DeSoto in Savannah, Georgia, displays over 40 pieces of artwork, in a variety
of mediums, by artists who attended the Savannah College of Art & Design
(SCAD). Located in the heart of Savannah’s Historic District, The DeSoto
is a member of Sotherly Hotels’ collection of independent boutique hotels
throughout the Southern United States. Through its Sotherly Annual Scholarship
and partnership with SCAD, Sotherly Hotels invests in local artists and
provides them with a space to exhibit their work. The hotel’s Sotherly
Savannah College of Art & Design Gallery displays pieces created by
these accomplished artists when they were emerging and attending the acclaimed
SCAD, whose campus is right next door to the hotel. Notable among the works
exhibited is a floor-to-ceiling mixed medium of screen printing and sculpture
by Lauren Clay, who currently resides in New York. This piece is installed
in the main entrance of the hotel’s lobby. Guests can also enjoy two pieces
by Marcus Dunn: Luther Standing Bear in Edgar’s Proof & Provision
and Going Home by Motorboat in the 1540 Room. Marcus’s work has
been exhibited in various locations including the Institute of American
Indian Arts Museum of Contemporary Native Arts in Santa Fe, New Mexico.
Another historic Sotherly hotel, The Georgian Terrace (1911) in Atlanta,
also exhibits SCAD students’ art through this partnership.
Mohonk
Mountain House (1869)
New
Paltz, New York
Mohonk
Mountain House in New Paltz, New York, has an extensive art collection
of over 1800 pieces that highlight artists who chose the people and the
scenery of the Hudson Valley as their subjects. Many of these artists were
locals or stayed as guests at Mohonk Mountain House, and the art collection
speaks to the rich and robust history of the Mohonk Mountain House. The
most famous artists in the Mohonk collection are Daniel Huntington and
Henry Van Ingen. Huntington, a native New Yorker, first exhibited his work
at the National Academy of Design in 1836, and painted landscapes in the
tradition of the Hudson River School, as well as portraits. It is believed
that he was the first artist to portray Mohonk Lake and its environs. Huntington
also painted portraits of both Albert K. Smiley and Eliza P. Smiley—founders
of the mountain resort hotel—during his time at Mohonk Mountain House.
Many of the hotel’s pieces by Henry Van Ingen, including oil paintings
that are exhibited in the Central Staircase and Winter Lounge, were selected
by Albert K. Smiley. Each one of those pieces is curated by, and installed
under, the direction of Pril Smiley, Director of Art and fourth generation
descendent of the hotel’s founders. Approximately 800 pieces can be found
throughout the Mohonk Mountain House hallways, public spaces, and guestrooms,
to allow guests to experience the collection during their stay. A guidebook
to the oil paintings is available in the Mohonk Gift Shop: Paintings
at Mohonk: Visions of our Surroundings by Sanford A. Levy. The hotel
also offers a free self-guided tour through its ‘Hidden Histories’ app.
Hidden Histories is an augmented reality (AR) experience that will immerse
guests in the history of this storied resort. When viewing the artwork
through the app, guests will see the walls of the Mohonk Mountain House
come to life and unlock Mohonk Stories.
Palmer
House®, A Hilton Hotel (1871)
Chicago,
Illinois
When
guests arrive in the lobby of the Palmer House, A Hilton Hotel in Chicago,
Illinois, and look up, they know that they have entered a work of art.
Above them is the magnificent ceiling adorned with 21 Grecian murals by
French artist Louis Pierre Rigal and the majestic Tiffany & Co. 24-karat
gold Winged Angels. Throughout the hotel, design is paramount. A visit
to see the art collection at the Palmer House is almost like visiting an
extension of the Art Institute of Chicago. The hotel’s founders, Bertha
and Potter Palmer, were great art collectors, and Bertha Palmer bestowed
much of their collection to the Art Institute of Chicago in her will. Her
sons supplemented the bequest with a donation of thirty-two additional
paintings and pastels. In 1922, the Palmer collection was installed in
galleries 25 and 26, which are the present-day galleries 206 and 207, respectively,
in the museum’s Allerton Building. The core of their collection was Impressionist
paintings, which included works by artists such as Claude Monet, Pierre-Auguste
Renoir, Camille Pissarro, and Edgar Degas. Many of these paintings are
now among the highlights of the museum’s permanent collection. When the
Palmers began collecting Impressionist art in the 1890s, it was considered
radical, even controversial. It is due to Mrs. Palmer’s forward-thinking
nature, influence, and willingness to pursue her own taste, rather than
follow trends, that Chicago is home to one of the greatest collections
of Impressionism in the world.
Palace
Hotel (1875)
San
Francisco, California
The
Palace Hotel shares with visitors and guests some of San Francisco’s best-loved
art, as well as newly purchased and commissioned works. Two of the more
well-known artists with works at the hotel are Maxfield Parrish and Antonio
Sotomayor. The Pied Piper of Hamelin was commissioned for Maxfield
Parrish to paint for the hotel’s reopening in 1909. Inspired by the legendary
tale dating back to 1284, the painting depicts the Pied Piper leading citizens
out of the town of Hamelin, Germany. Featuring 27 expressive faces—including
24 children, 2 women, and the Pied Piper—the work is colorful and extremely
life-like. Today, The Pied Piper is displayed in its namesake bar. The
Palace Hotel also houses two murals by San Francisco artist Antonio Sotomayor,
who immigrated to California from Bolivia in 1923. Sotomayor’s “Lotta Panel”
depicts San Francisco’s favorite actor, Lotta Crabtree, and the “Emperor
Norton Panel” immortalizes the city’s infamous character, Emperor Norton
I, self-proclaimed Emperor of the United States and Protector of Mexico.
Sotomayor was the hotel’s chief artist for a time and became famous for
his works found throughout San Francisco, from the opera to restaurants
and bars. When asked how he felt about the locations of some of his works
of art, he responded: “Why paint if you don’t want people to see it? …
A bar is one of the best ways to reach a large number of people. And think
of how much more accessible it is than a museum!”
The
Mission Inn Hotel & Spa (1876)
Riverside,
California
Any
stroll through the richly appointed Spanish Art Gallery of The Mission
Inn Hotel & Spa in Riverside, California, makes for a magical evening
amid an exquisite art collection. The historic hotel, designated a National
Historic Landmark by the U.S. Secretary of the Interior, houses a vast
art collection, including sculptures, paintings, stained-glass panels,
wood carvings, ceramics, metalwork, and architectural elements. The art
represents various themes, with a focus on California’s history and religious
artifacts. Several spaces were purpose-built to house certain artwork,
such as the St. Francis Chapel, featuring seven stained-glass windows by
Louis C. Tiffany, and an ornate Mexican Baroque-style altar screen. The
historic hotel’s Spanish Art Gallery was designed in 1914 to display a
vast collection of paintings from around the world, collected by the Miller
hotelier family. The room itself is a work of art: regal 17th-century European
décor in a warm palette of gold offers sophistication. The venue
features a grand marble staircase with wrought iron, a ceiling richly draped
in a gilded canopy, and a centuries-old door of carved pomegranate. The
Spanish Art Gallery can accommodate up to 150 guests for private events.
Guests of The Mission Inn Hotel & Spa can enjoy the collection throughout
the property, as new pieces can be found around every corner. Guests can
explore the art throughout the property and visit the Mission Inn Museum,
which offers daily tours. The collection’s sheer volume and diversity make
it unique, reflecting Frank A. Miller’s belief that art should be accessible
to everyone. Visitors can enjoy unprecedented access to priceless works
of art that were collected with deep respect and admiration for their histories
and craftsmanship.
Casa
Monica Resort & Spa (1888)
St.
Augustine, Florida
The
ambiance of Casa Monica Resort & Spa in St. Augustine, Florida, exquisitely
joins together the hotel’s historic roots with a bohemian aesthetic to
being open, curious, and adventurous. The hotel’s founder, Richard C. Kessler,
collected masterful works in oil, blown glass, and porcelain from around
the world, and the hotel’s Corporate Director of Galleries has bolstered
the Kessler aesthetic by upholding a high bar for what is exhibited at
the resort and the resort’s gallery, The Grand Bohemian Art Gallery. Oil
paintings, sculpture, and antiques may be enjoyed in the resort’s restaurants,
hallways, and guestrooms. One of the resort’s most impressive series is
the Five Women of Saint Augustine by Marianne Lerbs. This series
depicts the history of St. Augustine through the lives of five courageous
women, who successfully and resiliently made their marks on the city. In
November 2022, Kessler issued an open call to emerging artists across the
United States to search for “The Next Original.” Out of more than 1,800
artists, Mr. Kessler handpicked nine finalists to display their work. All
nine finalists were named The Next Original Artists of 2022 after inspiring
Mr. Kessler in their own unique way. Not only is their work hung in the
Grand Bohemian Gallery, but guests can also experience monthly artist receptions
and live painting experiences with the winners as part of the resort’s
Artist in Residence program. Visit the Casa Monica Resort & Spa and
its Grand Bohemian Art Gallery to see the collection. With a reservation,
gallery staff will create a memorable walk-through of the hotel and gallery
collection for hotel guests and art patrons. Private gallery events may
also be arranged.
The
Pfister Hotel (1893)
Milwaukee,
Wisconsin
The
Pfister Hotel’s art collection is reportedly the largest Victorian art
collection of any hotel in the world. Collected by Guido and Charles Pfister,
the historic Milwaukee, Wisconsin, hotel keeps at least 80 pieces of 19th
and early 20th-century Salon and Genre works on permanent display. Drawn
from a variety of styles and subject matters, and gracing the setting for
which they were selected, the collection offers guests a rare glimpse into
the tastes and sensibilities that enlivened the Belle Epoque. Visitors
can explore and learn about this art collection with a self-guided tour,
or through a scheduled tour with the hotel’s current Artist-in-Residence.
As guests enter, they are greeted by the two bronze statues called The
Pikemen dating back to the opening of the hotel, standing on each side
of the entrance. In the lobby are the well-known Pfister Lions, today called
“Dick” and “Harry.” Charles Pfister used to introduce them as “Mason” and
“Jefferson” to his guests. Moving through the hotel, nearly all of the
art embraces a style that was very much in vogue in the early 1900s and
complements the hotel’s history. The landscapes, portraits, and sculptures
are distributed throughout the hotel, and serve as a welcome invitation
at the top of each stairway or down a long corridor. Currently, the hotel
offers self-guided tours of the art collection.
The
Lodge at the Presidio (1894) and Inn
at the Presidio (1903)
San
Francisco, California
The
art program at the historic Inn at the Presidio and The Lodge at the Presidio
in San Francisco, California, provides guests with immersion into the history
of the Presidio. The maps, paintings, artistically arranged artifacts,
and photographs were curated and exhibited to celebrate the Inn and Lodge’s
history as army housing. The program seamlessly integrates “found objects”
from the park, and highlights original artwork throughout the property,
creating a museum-like ambiance. Original artworks, displayed in common
areas and guestrooms, evoke the landscapes, energy, and history of the
Presidio and San Francisco. The art program encourages guests to engage
with their surroundings, resulting in a memorable and enriching experience
that highlights the talent of the local art community. The Lodge features
noteworthy pieces such as a handcrafted circular art piece made from chert,
serpentine, and stones used by the Native American Ohlone Tribe. Additionally,
a lobby collage entitled A Soldier’s Story showcases items a soldier
may have collected, while expansive murals depict the Presidio’s forest
and beaches, creating a visual feast for guests to enjoy. At the Inn, guests
can admire a diverse range of artistic mediums on display, including paintings,
sculptures, and mixed-media installations. A collage of historic bugles
is on display in the lobby, and in the living room, there is an interactive
art piece that allows guests to scan QR codes to access information about
exploring the park and the Presidio’s natural surroundings.
XV
Beacon (1903)
Boston,
Massachusetts
Not
only is this Boston hotel a work of art, designed by renowned Boston architect
William Gibbons Preston, but the XV Beacon also distinguishes itself with
an extensive art collection of its own. The prized pieces of its collection
include an ancient Roman mosaic; canvases by America’s foremost portraitist
Gilbert Stuart, whose images of President Washington are impressed into
the nation’s imagination; works by contemporary abstract painter Maggi
Brown, and much more. This collection has given the XV Beacon its status
as a hidden gem in the Boston arts and cultural scene. Specially commissioned
works by Martha Lloyd, Joe Greene, Tony Evanko, Ben Freeman, and other
artists hang in XV Beacon’s guestrooms. The hotel explains, “When travel
stress hits, nothing grounds the soul like art.” In Mooo…. Restaurant’s
wine cellar, a stunning Roman mosaic dating back to the fourth to the fifth
century A.D. depicts two cavorting deer amidst flowers, amphorae, and fish.
At this storied hotel, old becomes new again. XV Beacon’s art collection
reflects self-awareness of its place in history and, simultaneously, its
commitment to environmentally sound policies and practices.
The
Fairmont Hotel San Francisco (1907)
San
Francisco, California
The
Fairmont Hotel San Francisco’s Gefen Gallery space brings a modern contemporary
aesthetic to the opulent, iconic glamour of this historic hotel. Located
within the main lobby, the gallery offers 2,500 square feet of rotating
exhibition space from carefully curated artists. Established in 2018 by
Effi Shoua, Gefen Gallery has quickly become a prominent fixture in the
San Francisco art community. The gallery is known for its exclusive and
innovative exhibitions featuring both emerging and internationally acclaimed
contemporary artists. The gallery space at The Fairmont Hotel San Francisco
is the secondary location of Gefen Gallery, which has a flagship location
at Union Square in San Francisco. The Gefen Gallery location within this
historic hotel is open Sunday-Friday from 10 a.m. to 6:30 p.m. and Saturdays
from 10 a.m. to 9 p.m.
The
Hermitage Hotel (1910)
Nashville,
Tennessee
Considered
one of Nashville’s finest architectural treasures, the soaring Beaux-Arts
lobby of The Hermitage Hotel, originally designed by Tennessee architect
James E.R. Carpenter, boasts a hand-painted glass ceiling featuring figures
from Greek and Roman mythology, such as Bacchus, Janus, Pan, and Mercury.
This craftsmanship involves multiple layers of paint on glass, in a four-step
process, including firing in a high-temperature kiln. Beyond the lobby,
art is displayed throughout the hotel in guestrooms and suites, on elevator
landings, and in the Grand Ballroom. The hotel’s curators and managers
looked to its past to inform its design. For example, the hotel’s extensive
archive of letters and postcards was pulled from to create new art installations
on each floor, bringing guests on a historical journey as they experience
the hotel. A charming bird theme is woven throughout the hotel, inspired
by a hand-painted bird discovered on the vaulted ceiling of the Veranda
room. Such subtle storytelling elements inspire a sense of exploration
and invite guests to discover more about the hotel’s history in a modern,
approachable way. Of course, women’s history is also on display at this
hotel, which was the headquarters for both anti- and pro-women’s suffrage
factions in Tennessee—the last state to vote to win passage of the 19th
Amendment. Many of its guestrooms and suites feature curated items harkening
back to the fight for suffrage. In 2020, The Hermitage was designated a
National Historic Landmark by the U.S. Secretary of the Interior.
The
Georgian Terrace (1911)
Atlanta,
Georgia
The
Georgian Terrace in Atlanta, Georgia, is a member of Sotherly Hotels’ collection
of independent boutique hotels around the Southern United States. Through
its Sotherly Annual Scholarship, and partnership with the Savannah College
of Art and Design (SCAD), Sotherly Hotels invests in local artists and
provides them with a space to exhibit their work. The Georgian Terrace
displays 17 original paintings/drawings, all created by the art students
of SCAD Atlanta. Each piece of timeless art is extremely unique and tells
its own story. One of the hotel’s most impressive pieces is The Porter
by Thony Aiuppy, who earned an MFA from SCAD in 2013. The colorful and
eclectic piece hangs in the hotel lobby, along with 16 other pieces of
fine art. Mr. Trevor Hollis, the hotel’s Sotherly host and historian, conducts
tours of the property, available upon request, from noon to 8 p.m., Wednesday
through Sunday. Two other historic Sotherly hotels, The DeSoto in Savannah
and The Whitehall in Houston, Texas, also exhibit SCAD students’ art through
this same partnership.
JW
Marriott Savannah Plant Riverside District (1912)
Savannah,
Georgia
Built
on the site of a coal power plant dating back to 1912, the JW Marriott
Savannah Plant Riverside District in Savannah, Georgia, is not only home
to a signature Grand Bohemian Gallery, but is a gallery in and of itself,
featuring curated and commissioned work from world-renowned artists. From
paintings and murals to sculptures and statues, imperial Bösendorfer
pianos, and even museum-quality installations and historical artifacts,
each piece is hand-selected to draw guests deeper into owner and developer
Richard C. Kessler’s vision. In November 2022, Kessler issued an open call
to emerging artists across the United States to search for “The Next Original.”
Nine finalists were named The Next Original Artists of 2022 after inspiring
Mr. Kessler in their own unique way. Not only is their work hung in the
Grand Bohemian Gallery, but guests can also experience monthly artist receptions
and live painting experiences with the winners as part of the hotel’s Artist
in Residence program. The energy-themed Generator Hall, the previous site
of the historic Georgia Power Plant, features not only traditional artwork
but also art in the form of natural science. On display are museum-quality
geodes, citrines, and amethysts measuring up to 9 feet, as well as fossils
and meteorites. The crown jewel of the hotel, Chromina Joule, sits center-stage
in Generator Hall. The 135-foot-tall chrome dinosaur created by paleopathologist,
David Trexler, is an exact replica of one of the largest dinosaurs in the
world that was found in 1860 in Colorado. The art comes to life at this
historic hotel through interactive tours offered Wednesday through Sunday.
Amway
Grand Plaza Hotel, Curio Collection by Hilton (1913)
Grand
Rapids, Michigan
The
Amway Grand Plaza Hotel, Curio Collection by Hilton, offers guests and
visitors a chance to experience the America at Work collection by
artist Paul Collins. This Grand Rapids, Michigan, hotel’s art collection
is comprised of 25 paintings depicting scenes of railroad workers, engineers,
astronauts, U.S. Marines, farmers, and more. The art series was inspired
by the questions Collins fielded about life and culture in the United States
when he lived abroad. One of the most impressive Collins’s pieces on display
at the Amway Grand Plaza is a painted mural titled The Bond, which
depicts the interrelationship between Amway’s founders, their families,
the independent distributor organization, employees, and consumers. The
seven-foot mural was originally a gift from the independent Amway Distributors
Association, commemorating Amway’s first 25 years. The collection was originally
unveiled in 1982 at the U.S. Department of Labor and was then gifted to
the historic hotel by the Amway Distributors Association. Collins sees
America at Work in the people whose labor impacts each other’s daily
lives, and lifts Americans up. Collins said of his America at Work series,
“In society today, we seem to regard the celebrities or untouchables as
our heroes. As a result, those who surround us slip through the cracks
and seldom receive the title ‘hero.’ I decided to shine the light upon
those people.” The collection is on permanent display in public areas,
including meeting and event spaces, at the Amway Grand Plaza. Guests are
invited to enjoy the art while exploring the hotel or attending a meeting
or event.
Claremont
Club & Spa, A Fairmont Hotel (1915)
Berkeley,
California
The
Claremont Club & Spa, A Fairmont Hotel celebrates its history with
one eye on its origins and another focused on the 21st century. Its halls
boast a rousing blend of photography, oils, acrylics, and three-dimensional
pieces drawing upon the influence of the building’s architecture, and the
unique attributes of the place and time. The resort gallery at the Hillary
Tenzing Room was established to share the vision of Richard Blum, owner/partner
of Claremont Club & Spa and founder of the American Himalayan Foundation.
It is named after Sir Edmund Hillary and Sherpa Tenzing Norgay, the first
people to summit Mt. Everest on May 29, 1953. The gallery displays personal
artifacts from Mr. Blum’s collection, as well as photography and artwork
honoring the people and beauty of the Himalayas. The diverse collection
includes photographs, sculpture, ceramics, acrylic and mixed media on canvas,
and hand-blown glass. An antique Tibetan door from Kathmandu (artist unknown)
represents Tenzing Norgay, who was widely known as the “Tiger of the Snows.”
Photos by Marion Brenner explore the intersection between native wetland
plant communities and working agricultural landscapes. Guests and visitors
are welcome to explore the collection during their stay.
Historic
Hotel Bethlehem (1922)
Bethlehem,
Pennsylvania
Historic
Hotel Bethlehem in Bethlehem, Pennsylvania, is home to eight murals painted
by George Gray in 1936. Seven of these murals currently hang proudly in
the Mural Ballroom, and the eighth hangs directly outside of the Mural
Ballroom. In 1936, the American Hotels Corporation took over the management
of Hotel Bethlehem and commissioned George Gray to paint the history of
Bethlehem for this hotel. It was part of a vast new mural program for the
corporation’s upscale hotels. Measuring up to 30 feet wide, the artworks
became minor landmarks in their cities. The murals painted for Historic
Hotel Bethlehem depict stories related to the historic city’s past: “The
Walking Purchase (1737)”; “The Founding of Bethlehem (1741)”; “General
Benjamin Franklin’s Visit (1755)”; “The Liberty Bell in Bethlehem (1777)”;
“General Casimir Pulaski (Father of the American Calvary) visit (1778)”;
“Asa Packer & the founding of Lehigh University (1865)”; “Iron &
Steel Industry”; and an eighth mural of a map of The Walking Purchase.
Gray painted more than 200 murals in his lifetime, most of which were commissioned
by the American Hotels Corporation. Today, only 26 of his hotel murals
survive. The murals at Historic Hotel Bethlehem are the only set in its
original location and one of only two complete surviving sets painted by
Gray.
La
Fonda on the Plaza (1922)
Santa
Fe, New Mexico
For
over 100 years, La Fonda on the Plaza has set the standard for honoring
artistic traditions. Art created by local artisans has been part of the
hotel’s iconic history since the hotel’s inception and helped establish
Santa Fe as a top destination for art and culture. Paintings by the best
Pueblo artists were acquired in the historic hotel’s early years, and the
hotel has supported Santa Fe’s famed Indian Market by frequently acquiring
work by Native Americans and other artists for the hotel. Not only does
original art hang in every guestroom, but every piece has a connection
to the people who designed, built, and owned the hotel. Among the artists
who contributed is Gerald Cassidy, who painted ten dramatic canvases depicting
life in the Frontier West, plus a map of the Southwest that still hangs
in the New Mexico Room. Paul Lantz painted handsome murals depicting life
in a Mexican village, as well as two large tableaux, located in the ballroom,
and the other in the stairway leading up to it. With a team of 50 volunteer
docents, La Fonda offers one of the most comprehensive art and history
tours in the city on Wednesdays through Saturdays, which is free and open
to the public. La Fonda has long supported local artisans, and for decades,
has provided a free venue for local artists to create art, sell their work,
and engage with visitors to the hotel. The hotel’s popular Artist in Residency
Program runs throughout the year and helps support emerging artists. In
August 2023, the hotel published the second edition of its art history
book, In Every Room: A Story of the Art.
The
George Washington Hotel (1922)
Washington,
Pennsylvania
In
the 1930s, the popular George Washington Hotel in Washington, Pennsylvania,
commissioned a prominent local artist named Malcolm Parcell to create six
murals for The Pioneer Room, a dining venue at the popular hotel. Depicting
artistic interpretations of the National Road and Washington, Pennsylvania,
Parcell’s artwork became regarded as an important cultural attraction in
just a matter of months. The murals show idealized depictions of six American
icons: “The Conestoga Wagon,” “Pony Express,” “Pack Horse,” “Stage Coach,”
“Lafayette visits Washington,” and “David Bradford’s Escape.” Malcolm Parcell
painted the murals over the course of six months, during which time he
was a guest of the hotel. Each mural is presented with a handwritten caption
describing the artwork. The murals are the largest and longest-lasting
set of murals by Parcell, who won the 1925 Carnegie Prize for Art. The
George Washington Hotel in Washington, Pennsylvania, was inducted into
Historic Hotels of America in 2023—a century after its founding in 1923.
Fairmont
Sonoma Mission Inn & Spa (1927)
Sonoma,
California
The
Fairmont Sonoma Mission Inn & Spa, in partnership with Salon d’Art,
presents the lobby exhibition: Impressionism to Pop Art: 100 Years of
Printmaking (1897–1997). The Fairmont Mission Inn & Spa is in Sonoma,
California, and was inducted into Historic Hotels of America in 2014. The
retrospective showcases etchings, lithographs, and pochoirs (stencils)
by Renoir, Picasso, Warhol, and others. These artists brought an extraordinary
level of innovation and expertise to the art of printmaking, making every
work in this exhibit a significant contribution to the development of modern
art. Their works are now some of the most collected and coveted in art
history. The exhibition includes The Bather series by Renoir, the
Flowers series by Warhol, and “Dove” by Picasso. The years between
1897 and 1997 were one of the most dynamic periods in Western printmaking.
During these 100 years, new subjects, styles, and techniques helped establish
the modern impulse in prints. Guests and aficionados are invited to enjoy
self-guided tours of the artwork using Salon d’Art’s revolutionary beacon
technology. This state-of-the-art system uses any IOS mobile device; the
viewer can connect instantly and seamlessly to information about the artworks
on display. Each beacon will be able to push designated information regarding
its related artwork directly to a mobile device, allowing the holder to
move from artwork/beacon to artwork/beacon, and automatically receive the
designated info relating to each artwork.
The
Wort Hotel (1941)
Jackson,
Wyoming
The
Wort Hotel in Jackson, Wyoming, displays over 175 pieces of original contemporary
and traditional Western-themed art, valued at over $1.2 million. The collection
is defined by its sculptured bronze works, acrylics, and oil paintings.
The Wort Hotel is especially proud of its hand-carved, Western-themed wooden
doors, which are attached to eight guestrooms. Art is around every corner
at The Wort Hotel. Notably, it contains the largest collection of Ray McCarty
pieces, 50 in total. Highlights from the collection include 13 original
Lyle Waggoner sculptures, 50 Ray McCarty paintings, and 12 illustrations
by John Clymer. The hotel also has works by Gerry Metz and Joe Velazquez.
Art collector and The Wort Hotel’s owner Bill Baxter says of the collection,
“From our standpoint, this is a tribute to the importance and history of
The Wort Hotel, that we connect it authentically with the West and the
experience of the cowboy and cowgirl and the American Indian and the landscape...it
just seemed appropriate to us to amplify those connections with beautiful,
original Western art.” The artwork is spread throughout the hotel, in public
spaces, the bar, and restaurant, as well as select guestrooms. These guestrooms
have original artwork, as well as custom furnishings and bedding, in accordance
with the guestroom’s theme. Additionally, the Ray McCarty artwork ties
into the hotel’s gambling history. The hotel features a self-guided walking
tour with photos and descriptions of key pieces of art. A brochure provides
an overview of the artists, as well as the names of each piece featured
at the hotel. This is a free tour available to any guests who stop into
the hotel to have a look.
The
Statler (1956)
Dallas,
Texas
The
Statler is a Midcentury Modern Dallas, Texas, landmark with an art collection
valued at over $1.3 million. The collection includes sculpture, a panoramic
mural, and photographs by artists including Jack Lubin and Brad Oldham.
The Statler’s art collection is noteworthy because much of it was original
to the hotel but was lost when the hotel was sold in 1988, only to be rediscovered
in 2013. One lost-and-found piece is a painting by Jack Lubin that was
once displayed in the former Empire Room. This painting was covered up
in 1988, but rediscovered in 2013, professionally restored, and carefully
transferred to the lobby area behind the front desk. On the 19th-floor
rooftop pool is Llinda Llee Llama, a sculpture by Brad Oldham, which
pays homage to the real-life Llinda Llee, a llama who enjoyed being paraded
around the streets of Dallas, riding in limos, and visiting sick children
in the late 1950s and 1960s. She is The Statler’s Brand Ambassador and
has been an ongoing, iconic part of the hotel’s style and art integrations.
Miniature replica statues can be found in each guestroom. The Statler went
to great lengths to restore its lost artwork in the 2010s, and guests at
the hotel today can enjoy works of art that were almost lost forever.
Hotel
Captain Cook (1965)
Anchorage,
Alaska
Upon
arriving at the Hotel Captain Cook in Anchorage, Alaska, guests and patrons
alike are greeted by inviting and historical décor illustrating
the voyages of British explorer and cartographer Captain James Cook. Three
of these major voyages took him around the southern tips of Africa and
South America, to Easter Island and, on his final voyage, along Alaska’s
majestic coastline. In June of 1778, while looking for a Northwest Passage
to the Hudson Bay, he and his crew on the HMS Resolution dropped anchor
in Turnagain Arm, right within sight of the spot where the Hotel Captain
Cook stands today. A much sought-after experience for both the art enthusiast
and the novice art lover, the Hotel Captain Cook offers walking tours of
their expansive private art collection. Featuring paintings, drawings,
and sculptures of subjects like historical sailing ships, Cook on his excursions,
and the Indigenous people who encountered Cook, the hotel’s art collection
provides guests with a glimpse into the history of Cook’s voyages. In addition
to the hotel’s architecture itself, unique art pieces like stained glass,
paintings, woodwork, and sculpture continue to tell this story with inspired
detail. Pieces of the collection can be viewed in common areas and are
also prominently featured in well-appointed dining spaces, lining pristine
hallways, and in other instances throughout the hotel.
Mauna
Kea Beach Hotel (1964)
Kohala
Coast, Hawaii
Several
“firsts” are part of the recorded history of the Mauna Kea Beach Hotel
on the Island of Hawaii. It was the first resort on Hawaii Island, the
first golf course on the island, the first (and only) hotel in Hawaii developed
by Laurance S. Rockefeller, and the first hotel in Hawaii to win awards
from the American Institute of Architects in 1967 and again in 2007. But
what is often overlooked is that this beachfront beauty was also the first
American hotel to completely and meticulously incorporate authentic works
of indigenous art into its design ethos. Rockefeller’s handpicked team
of experts scoured Pacific Rim countries, Melanesia, Asia, and Polynesia.
They returned with wooden carvings from New Zealand and adorned shields
from Guinea, gold-gilded prayer disciples from Thailand, ornate Japanese
tansu chests and bronze Indian dowry chests, and a larger-than-life 12th-century
pink granite Buddha Shakyamuni, the collection’s most notable, and noticeable,
piece. The much-heralded art collection includes quilts of Hawaii, each
with more than one million stitches, and beautifully pounded and dyed Hawaiian
kapa, or barkcloth. The hotel’s extensive collection is found throughout
its public spaces, with unrestricted, open-air access for the past 58 years.
In 2022, Mauna Kea Beach Hotel partnered with two local organizations,
Red Dot Goods and Mana Up, to further celebrate local artists and their
work. Art of Mauna Kea coffee table books are available in every
guestroom and for purchase at Mauna Kea’s gift shop. A free Art Tour is
available each Saturday at 10 a.m. for guests and local visitors alike.
Unable to visit but curious? Tour the collection from afar by listening
to the podcast
about the collection.
“Discover
and experience the many magnificent art collections located within and
around many Historic Hotels of America,” said Lawrence
P. Horwitz, Executive Vice President, Historic Hotels of America and
Historic Hotels Worldwide. “Support for artists and endowments to acquire
and sustain art collections has been a tradition of many of the founders
and builders of historic hotels; fortunately, this tradition continues
through the dedication of current ownership and their passion for making
it easy for guests of these iconic and legendary hotels to experience some
of the finest art collections across the United States of America—while
staying at a historic hotel.”
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About
Historic Hotels of America®
Historic
Hotels of America is the official program of the National Trust for
Historic Preservation for recognizing, celebrating, and promoting the finest
historic hotels in the United States of America. To be nominated and selected
for membership in this prestigious program, a hotel must be at least 50
years old; designated by the U.S. Secretary of the Interior as a National
Historic Landmark or listed in or eligible for listing in the National
Register of Historic Places; and recognized as having historical significance.
Of the more than 300 historic hotels inducted into Historic Hotels of America
from 44 states, the District of Columbia, and Puerto Rico, all historic
hotels faithfully preserve their sense of authenticity, sense of place,
and architectural integrity. For more information, please visit HistoricHotels.org.
To
learn more, please visit:
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Contact:
Katherine
Orr
Historic
Hotels of America | Historic Hotels Worldwide
Manager,
Marketing Communications
Tel:
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